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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://hdl.handle.net/10506/1372" />
  <subtitle />
  <id>http://hdl.handle.net/10506/1372</id>
  <updated>2026-04-24T11:08:38Z</updated>
  <dc:date>2026-04-24T11:08:38Z</dc:date>
  <entry>
    <title>Подобряване на музейното преживяване чрез информационните и ко-муникационните технологии. Дефиниране на фактори за индивидуално и групово възприемане</title>
    <link rel="alternate" href="http://hdl.handle.net/10506/1386" />
    <author>
      <name>Миладинов, Петър</name>
    </author>
    <author>
      <name>Miladinov, Peter</name>
    </author>
    <author>
      <name>Джойнър, Дейвид</name>
    </author>
    <author>
      <name>Joyner, David</name>
    </author>
    <author>
      <name>Давит, Лина</name>
    </author>
    <author>
      <name>Davitt, Lina</name>
    </author>
    <id>http://hdl.handle.net/10506/1386</id>
    <updated>2016-02-19T14:57:45Z</updated>
    <published>2015-01-01T00:00:00Z</published>
    <summary type="text">Title: Подобряване на музейното преживяване чрез информационните и ко-муникационните технологии. Дефиниране на фактори за индивидуално и групово възприемане
Authors: Миладинов, Петър; Miladinov, Peter; Джойнър, Дейвид; Joyner, David; Давит, Лина; Davitt, Lina
Abstract: Museums, wishing to optimise the experience of various groups of visitors, use feedback surveys to assess opinions of their visitors, including their expectations before hand and considered view post-visit. Amongst key themes reported in these surveys are:  the general success of a museum model which is quite comprehensive (including multiple themes and locations); the desirability of engaging visitors emotionally; and, in the case of groups, the importance of shared experience both during the visit and in post-visit digestion of the learning and the impression left by the experience. Technology emerges as an important vehicle to drive all these de-sired positive outcomes, the one currently indicating the most promise being personal mobile technology. In this paper, the authors discuss the issues which need to be considered in developing optimised museum experience for various target visitor groups, based around the application of this technology platform. As the basis for discussing how best to use such technology, the Contextual Learning Model of Falk and Storksdik (2005) is explored, which produces a set of parameters categorized as 'personal, sociocultural and material (physical) contexts'. After explaining the implications of each of these contexts, a detailed example of the implemen-tation of technology for the interpretation of one aspect of heritage is given – that of the interpretation of Chinese history for non-specialist foreign audiences using a comprehensive charting of the ebb and flow of the dynasties, styled by the present authors as DYNAMOST ™. This set of resources includes a range of personal mo-bile technology applications supported by live and recorded lectures and printed material. The authors finally consider the potential to apply this method more generally in order to assess 'How technology can influence museum visitor experience'</summary>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Оранжери – един уникален художествен музей в Париж</title>
    <link rel="alternate" href="http://hdl.handle.net/10506/1385" />
    <author>
      <name>Недков, Симеон</name>
    </author>
    <author>
      <name>Nedkov, Simeon</name>
    </author>
    <id>http://hdl.handle.net/10506/1385</id>
    <updated>2016-02-19T14:45:30Z</updated>
    <published>2015-01-01T00:00:00Z</published>
    <summary type="text">Title: Оранжери – един уникален художествен музей в Париж
Authors: Недков, Симеон; Nedkov, Simeon
Abstract: Located right in the heart of Paris in the Tuileries Gardens and renovated in 2006, the Musée de l'Orangerie offers the visitor a poetic and artistic presentation of two prestigious collections. This article will present only the collection of Claude Monet’s paintings Water Lilies (Les Nymphéas).&#xD;
Both monumental and intimate, Water Lilies are the ultimate expression of Claude Monet's artistic ideas, an incredible project by a painter who wanted to explore all the variations of light in his garden at Giverny. The paintings are housed in two elliptical halls, and encourage the visitor to gaze in endless contemplation. After the horror of the First World War, Monet wanted his work to take on this aesthetic and poetic dimension, and provide a haven for peaceful meditation.</summary>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Социалистическото наследство в българските исторически музеи</title>
    <link rel="alternate" href="http://hdl.handle.net/10506/1384" />
    <author>
      <name>Станчева, Силвия</name>
    </author>
    <author>
      <name>Stancheva, Silvia</name>
    </author>
    <id>http://hdl.handle.net/10506/1384</id>
    <updated>2016-02-19T14:16:55Z</updated>
    <published>2015-01-01T00:00:00Z</published>
    <summary type="text">Title: Социалистическото наследство в българските исторически музеи
Authors: Станчева, Силвия; Stancheva, Silvia
Abstract: The paper reflects upon the socialist legacy in the Bulgarian historical muse-ums during the period of Transition after 1989. It analyzes the lack of new museum ideology and the dominance of nationalism within the museum institution. Special attention is paid to the lack of the socialist period being exhibited as part of the permanent historical exhibitions. It examines the formal transformation of the mu-seum exhibitions and the missing link to the newly emerged historiography topics.</summary>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Опазване и достъп до книжовното културно наследство на Кюстендил в контекста на междуинституционалното сътрудничество. Координационни функции на регионалната библиотека</title>
    <link rel="alternate" href="http://hdl.handle.net/10506/1383" />
    <author>
      <name>Пейчева, София</name>
    </author>
    <author>
      <name>Peicheva, Sofia</name>
    </author>
    <id>http://hdl.handle.net/10506/1383</id>
    <updated>2016-02-19T14:39:14Z</updated>
    <published>2015-01-01T00:00:00Z</published>
    <summary type="text">Title: Опазване и достъп до книжовното културно наследство на Кюстендил в контекста на междуинституционалното сътрудничество. Координационни функции на регионалната библиотека
Authors: Пейчева, София; Peicheva, Sofia
Abstract: The aim of the author of this article is to ascertain the condition and access to the literary heritage from the perspective of institutional affiliations and measures for its proper storage and preservation; to outline the existing models of coopera-tion between the institutions owning and responsible for the preservation and pro-motion of valuable written literary documents. Attention is paid in particular to the condition and the conservation of the collection of "Antiquarian, rare and valuable books" funds of RL Kyustendil, and methodology to study the condition of the paper is described. Catalogues that provide bibliographic access to valuable liter-ary documents in the possession of cultural and educational institutions in Kyustendil are analyzed. Conclusions, concerning the state and an attempt to out-line the prospects in the context of operational programs for financing activities related to the preservation and digitization of the literary documentary heritage are made.</summary>
    <dc:date>2015-01-01T00:00:00Z</dc:date>
  </entry>
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